| 3 |
Re-recording Mixer, Sound Editor |
| 4 |
Composer, musician (intuitive), artist, field recordist, listener, curator, publisher, lecturer, instrument & specialist audio device builder
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| 5 |
Emily Wilczek Considerations for experimental work |
| 6 |
Assisstant Engineer at the Church Studios |
| 7 |
Music Supervisor at Vertigo Films |
Author Archives: Filip Adam Grzejszczyk
Benchmarks
Sound requirements for publishing
http://www.acx.com/help/acx-audio-submission-requirements/201456300
Sound effects
Test recording
SCHEDULE
16TH OCT – create the script, re-watch Romeo and Juliet (1996), Black Hawk Down (2001) for battlefield SFX benchmark (radio communication and soundscape of war/conflict), finish the 15 minute version script
W/C 20TH OCT – START RECORDING
W/C 27TH OCT – Editing, SFX collecting and mixing
W/C 4TH DEC – playing first versions to others and gathering feedback to improve work and evaluation.
From now on till deadline find out as many publishing opportunities as possible
Research
Performance skills.
Remember to…
- vary the volume, pitch and tempo of your voice (enunciate clearly and exaggerate expression)
- use your face, body and gestures (let your body speak)
- make your body and face respond to the tale
- have a clear focus and maintain concentration
- create a charismatic presence (make the audience believe in you)
- use different, exaggerated character voices
- remember to pace yourself
- always remember to regain your style as a narrator
- use silence and pauses to add dramatic effect
Translating feeling into sound:
https://www.youtube.com/watch?v=q5yxIzs5Wug
Referencing:
https://www.teachingenglish.org.uk/article/storytelling-benefits-tips